![]() ![]() The study establishes a recognition of the correlation of both the past and the present. On the other hand, a complex representation of Catholicism in the Philippines has also been emphasized. It probes the role of the virtual space as a transgressive and egalitarian tool, and defines its purposes. The study focuses on the analysis of the parody of the virtual space and the Catholic references. ![]() This study also examines the political aspects of the employment of this kind of parody. Moreover, Rolando Tolentino's books on popular culture, Kulturang Mall (2004) and Paghahanap ng Virtual na Identidad (2004) facilitate the analysis of the text. This paper engages in finding where the pleasure in reading Bob Ongs Ang Paboritong Libro ni Hudas (2003) lies. In the process, the concepts of Soledad Reyes on pleasure which can be seen in her book, Aliw: Selected Essays on Popular Culture (2000), and in her reading, The Romance Mode in Philippine Popular Culture (1998), supplement the study. Ang Mga Kaibigan ni Mama Susan, Lumayo Ka Nga Sa Akin, Ang Paboritong Libro ni Hudas. ![]() It claims that the concept of postmodern parody defined by Linda Hutcheon in her book The Politics of Postmodernism (1989) is the derivation of pleasure - that which the researcher refers to as parodic pleasure. Bukod sa conversational ang Filipino ni Bob Ong, very. This paper engages in finding where the pleasure in reading Bob Ong's Ang Paboritong Libro ni Hudas (2003) lies. ![]()
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